Frequency Collapse No. 11

A study in interference and control, Frequency Collapse No. 11 captures the silent breakdown between signal and perception. Drawing from early CRT transmission aesthetics, the piece explores the fragility of human interpretation in the age of digital distortion. Each band of static becomes a metaphor for emotional noise — memory, trauma, and the modern appetite for perfection — beautifully disrupted by colour channels bleeding just beyond precision.

The layered glitch texture was achieved through a hybrid analogue-digital process, photographed and re-manipulated to retain the depth of grain found in vintage broadcast surfaces. This creates a visual rhythm both meditative and volatile, positioning the work between nostalgia and futurism — a hallmark of neo-brutalist minimalism currently dominating international design and interior architecture trends.

Collectors will recognise its resonance with the post-human themes of Nam June Paik and the structural minimalism of Gerhard Richter’s later abstractions.

This art is NOT AI generated at all. It is created from photography and tools in Photoshop, Capture and Illustrator. Nothing generated via prompts or wording. My art is from my heart and soul as God decided.

The room is AI generated.